Measures recordings of single notes, plucked or struck, and prints the median fade time and level of their harmonics in each frequency band.
mix mx.measure Guitar.mf.sulA.A2B2.aif:A2 Guitar.mf.sulE.E2B2.aif:E2
mix mx.measure Guitar.mf.sulA.A2B2.aif:A2 --synth guitar --vel 0.6Each file is followed by a colon and the note it starts on, as a name such as A2 or Bb3, or a MIDI number.
A file holds one note or several, one after another a semitone apart, each starting from silence, in WAV or AIFF, mono or stereo, at any sample rate.
It prints the notes it found in each file with their pitch and how far their harmonics are stretched sharp, then for each band the seconds a harmonic takes to fade 60 dB and its level in dB against the fundamental of the lowest note.
--synth renders one of mx's synths offline at each note found, at --vel (0.6 unless given), and prints its figures beside the recordings', with the difference.
--option gives the synth another option as a name and a number, such as --option up=1, and may be given more than once.
mix mx.measure --held Flute.vib.mf.B3B4.aiff:B3 --synth flute
mix mx.measure --hits Cowbell1_Hit_v1_rr1_Sum.wav Marimba.C4.wav:C4--held measures held notes, bowed, blown or played on an organ, as Mx.Measure.Held describes.
--drone with --held measures each file as one note held from its first sample to its last, for a drone plucked again and again, which would otherwise read as a note at each pluck.
It prints each note's pitch, attack and vibrato, then their median attack and vibrato, and for each band the level of the harmonics and of the noise between them, in dB against the fundamental of the lowest note.
--hits measures hits, as Mx.Measure.Hits describes, and a file with no pitch needs no note after its name.
It prints the strongest peaks of each hit as ratios to the lowest, then for each band the seconds it takes to fade 60 dB and its level as the hit starts, against the loudest band.
--partials with a count, such as --partials 12, also prints under each hit up to that many of its strongest partials, lowest first: the frequency in Hz, the ratio to the lowest, the level against the loudest, and the seconds it takes to fade 60 dB.
mix mx.measure --hits Agogo_Low_v1_rr1_Mid.wav --partials 12 --synth low_agogo--hits then prints each band's level at 0, 50, 100 and 200 ms after the hit's loudest moment, against the loudest band then, as medians over the hits; a moment past a hit's end prints as -, and a level more than 40 dB down as -40.
--compare with a file name, with --hits and --synth, writes a WAV file of up to three recorded hits whose bands are nearest the median, then the synth's hit three times, each 0.6 seconds at the same peak, for listening or for mix mx.spectrogram.
mix mx.measure --hits "pandeiro A.wav" --synth pandeiro_thumb --compare thumb.wavWith --synth, a held note renders for as long as the recordings hold it, and a hit renders once at each note given, with only the options the synth takes.
mix mx.measure --strokes "cuica (2).wav"
mix mx.measure --strokes "cuica (2).wav" --tracks 17,19 --ignore 8500-9100--strokes measures an instrument played in strokes that run into one another, as Mx.Measure.Strokes describes, and a file needs no note after its name.
It prints each stroke with its number, the second it starts at, its length in ms, the note it settles at, the cents it starts from that note, and its level in dB under the loudest.
--tracks with the numbers of strokes of one file prints each one's tracks instead: its note, the semitones it starts under it, then its pitch in cents at every step of 8 ms, and a row for each step of the levels of its 16 harmonics and of its noise, in dB under its loudest step, with -127 for silence.
--alone with --tracks carries on past each stroke into the ring it leaves, for a stroke played by itself.
--ignore with --tracks and two frequencies, such as --ignore 8500-9100, leaves out the harmonics between them, for a steady tone that is not the instrument's.